This is Jaleel Whites' entire series "Fake It Till You Make It".
Jabberjustice because all this talk about justice is just a whole lot of jabber. ... But let justice roll on like a river, righteousness like a never-failing stream!"
Sunday, February 27, 2011
Watch All 8 Episodes Of Jaleel White’s Web Series “Fake It Till You Make It”
Watch All 8 Episodes Of Jaleel White’s Web Series “Fake It Till You Make It”
Preview – “with WINGS and ROOTS” (A Tale Of Culture & Identity In 2 Cities)
Preview – “with WINGS and ROOTS” (A Tale Of Culture & Identity In 2 Cities)
This is truly a Tale of Two Cities: It is the tale of Immigrants in The U.S.A and Germany and how their stories parallel. If you care to be informed regarding the situations, take a look at the 4 minutes trailer from Shadow and Act.com.
Friday, February 11, 2011
When I Rise | Documentary on Barbara Smith Conrad | Independent Lens | PBS
When I Rise Documentary on Barbara Smith Conrad Independent Lens PBS
This is a Documentary film about Barbara Smith Conrad. Raised in the gully of the Jim Crow South, she was one of the first African-Americans to attend the University of Texas. As a music major, she was a talent that could not be denied. As a result Barbara was asked to sing the romantic lead in the campus rendition of Dido and Aeneas-oppsite a white male. The casting set-off a fire storm of racial controversy that ended up in the Texas state legislature. Admist the pressure from numerous groups who were fighting for the so-called rights of white people, Barbara was asked, by the Dean of the School of Fine Arts, to step down. The role was assumed by a white female. In the end, Barbara Smith Conrad became a world renowned and "internationally celebrated mezzo-soprano" despite the racism and racial hatred she had to endure. Today, she retruns to Austin, Texas and The University of Texas yearly to teach master classes.
This is a Documentary film about Barbara Smith Conrad. Raised in the gully of the Jim Crow South, she was one of the first African-Americans to attend the University of Texas. As a music major, she was a talent that could not be denied. As a result Barbara was asked to sing the romantic lead in the campus rendition of Dido and Aeneas-oppsite a white male. The casting set-off a fire storm of racial controversy that ended up in the Texas state legislature. Admist the pressure from numerous groups who were fighting for the so-called rights of white people, Barbara was asked, by the Dean of the School of Fine Arts, to step down. The role was assumed by a white female. In the end, Barbara Smith Conrad became a world renowned and "internationally celebrated mezzo-soprano" despite the racism and racial hatred she had to endure. Today, she retruns to Austin, Texas and The University of Texas yearly to teach master classes.
Thursday, January 27, 2011
Sunday, January 16, 2011
Subscribe to:
Posts (Atom)